In the world of amateur spies and low budget espionage, global crisis is never an issue. However, the stakes are always high for these minor league secret agents as they battle for life and death to discover who has what it takes to Get Spy!
Peter Chase and his team of misfit, wannabe spies, are tasked with finding Randolph MacEntyre, AKA Poseidon,, a genius scientist who has discovered an algorithm that unlocks an endless supply of clean energy. However, they are thwarted t every turn by Evelyn Armitage, a beautiful but deadly hellcat of sensual evilness, who leads them to danger on every turn.
Meanwhile, Kate Collier must come to terms with Evelyn’s distinct dissatisfaction in their love relationship, while Peter tries not to take it personally that Kate isn’t interested in his not so subtle sexual advances. The tangled web of love and deception comes to a bitter end as we discover who has what it takes to GET SPY.
The team is back! This time earning a little extra cash at an underground boxing match. However, the plan backfires when they unknowingly double cross Alvarez, queen of the Cuban mafia. Now with a bounty on their heads, Peter has a face to face with Evelyn, back from the dead! Family secrets are revealed and the team says goodbye to the espionage business and hello to the treasure hunting business.
Tech Girl uncovers the identity of the bounty hunter ‘Mad Dog Delacroix’ while Peter, Mike and Isabelle follow the map to a half crazed pirate named Ronald. In a major showdown with Mad Dog, Isabelle, Peter and Mike discover a real treasure. However, their reward doesn’t last long as Alvarez and Evelyn show up to take the gold.
In the finale Chad, Evelyn and Kellie figure out how open the treasure as Alvarez gives a cooking lesson on how to make the best guacamole.
Will Peter’s peter end up inside the business end of a Snoopy Snow Cone Machine? Will Isabelle rescue her brother? Is Mad Dog really such a bad guy? And who the hell gave Tech Girl a machine gun!?
Series Written and Created by David Beatty
Shot and Directed by Lorin Davis
Picture shot on CANON
Sound caught on ZOOM
In association with SAG/AFTRA
A Double Yellow Line Films Production